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NICHE MARKETS
for Your Screenplay
THE LOW-BUDGET
Horror/Horror-Comedy
Editor's Note: There are several niche markets
for scripts. These are small markets for big
dreams. Your chances of selling your first script to
a major studio are not that great. But your
chances of selling it improve vastly if you know
where to sell it and how. In this series, we exam-
ine what the niche markets are and how to sell to
them -- market by market. This issue: low-budget
(pulp), sci-fi and horror.
In the early days of home entertainment,
when VHS was the summit of technology,
few producers took advantage of this emerg-
ing market. For many, having a film go
straight to video meant a mark of shame.
Making movies solely for VCRs was the
province of the porn industry. Yet a few vi-
sionaries saw the potential for stories told ex-
clusively for the home-viewing crowd.
Roger Corman, already the "King of B
Movies" saw a new outlet for his films. Oth-
ers, such as Charles Band at Full Moon En-
tertainment, found an audience
for their low-budget horror films
when traditional distributors
balked. Flicks such as Puppetmas-
ter, The Re-Animator, Trancers III
and Creepozoids could join the
likes of Sorority Babes in the Slime-
ball Bowl-O-Rama
, Munchies and
Transylvania Twist in what became
a genre unto its own. These low-
rent horror movies were so bad
they were funny. And whether
humor was intended, these pic-
tures (sometimes referred to as
"schlock pictures") found audiences willing to
laugh at their tongue-in-cheek humor.
Their fame was cemented with The Toxic
Avenger, from writer-director Lloyd Kaufman and
his team at Troma Entertainment. This super-
hero tale of a meagre mop boy at a country club
who falls into a vat of toxic waste and emerges
as a mutant man-thing who cleans up crime in
the town of Tromaville became a cult classic.
Troma founder and producer Kaufman has
been fighting the stigma of direct-to-DVD for
years, saying that part of the reason his films
go that route is because the major entertain-
ment conglomerates thumb their noses at any-
thing that's truly independent.
Today, thanks to the expansion of DVDs
and other emerging venues for first-run ma-
terial, more independent producers and pro-
duction companies realize not only the value
of direct-to-DVD productions, but have
found new audiences for them internation-
ally, and in subject matter often
overlooked by major studio fare.
You now have distributors
such as Maverick Entertainment
tailoring their titles to specific
niches. Within Maverick are faith-
based films, Latino, urban and
low-budget sci-fi and horror films.
And while the glory days of
Roger Corman and Charles Band
appear to be fading, the markets
they first tapped have not faded.
In fact, the opposite is true. Di-
rect-to-DVD filmmakers at a pro-
B Y
J O H N F O L S O M
More independent producers
and production companies
realize not only the value of
direct-to-DVD productions,
but have found new audiences
for them internationally.
May/June 2010 creativescreenwriting
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Toxic Avenger