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creativescreenwriting May/June 2010
IN A STRANGE TWIST OF FATE,
Michael Arndt found himself in a position en-
viable to any writer. The New York-based
screenwriter was in Los Angeles for the pro-
duction of his first screenplay, the indie dram-
edy Little Miss Sunshine. Unsure of his next
career move Arndt received a call from his
agent with the surprising news that Pixar prin-
cipals wanted to meet him. "It was like being
summoned to Mount Olympus," he says.
It turns out that Pixar's story department
head, Mary Coleman, asked Sunshine producer
Ron Yerxa if he knew any great up-and-
coming writers. Yerxa gave Coleman Arndt's
script and she was blown away. The amazing
thing about this story is that despite the fact
that Little Miss Sunshine would eventually go
on to become a big indie hit -- and win Arndt
an Oscar for Best Original Screenplay -- at the
time Arndt was interviewing with Pixar, Sun-
shine
didn't even have a distributor.
As it turns out, Arndt is a huge animation
fan and even made a few animated shorts at
New York University, where he studied film,
Inside Pixar's
Toy Chest
BY
DA N N Y M U N S O