background image
DAVID LEVIEN: I had it in my mind that I
wanted to be a writer since I was pretty young.
I'm not really sure why. I didn't know any-
thing about it. I didn't know any writers grow-
ing up. But I just sort of had this urge.
I'm not one of those people who sits
around and says, "Oh, I love to write. Writ-
ing's so great. I love it." It's more painful.
Doing the actual writing somehow lessens
the pain slightly but it's not one of those
joyful romps most of the time.
After college, I went out to L.A., working
in the business and writing the occasional
screenplay but I realized I was spending all
my time reading other people's stuff. So at
last I returned to New York and devoted my-
self to writing fiction. I had just finished a
book when Brian came to me as I was bar-
tending one night.
BRIAN KOPPELMAN: It's funny, the idea of
being a writer was incredibly appealing to
me, but I was more of the typical blocked or
frustrated writer until I was 29. I had been
in the music business and had done a whole
bunch of other things, but after my son was
born I realized I could not live the kind of
life I wanted to live and become the kind of
father and person I wanted to be unless I was
working in a creatively fulfilling career.
LEVIEN: So we plunged into the writing
world with commitment. We started in
earnest, meeting in the mornings at 8 a.m.,
after I'd been bartending and before Brian
went to work, trying to figure out what we
were going to write about, coming up with
some characters and outlining stuff.
Shortly after we made that decision,
Brian had been taken to an underground
poker club and lost all his money and
called me excitedly at three in the morn-
ing to say, "I think I've found the world we
can set our movie in!" So we started going
to the clubs every night and meeting in
the morning to outline and write the
script. That was Rounders.
Research has always been part of our
process. We always try to bring that author-
ity and immersion to most any world we're
writing about. We're drawn into that world
20
|
creativescreenwriting May/June 2010
I
WHY WRITE
E D I T E D B Y
S E A N K E N N E L LY
Brian Koppelman
and
David Levien
have been like brothers since the day
they met in their teens. Growing up in New York, watching the same movies,
listening to the same music and reading the same books, they developed
what they call a "common aesthetic" that still fuels their partnership.
Explore Your Creativity
London School of Film, Media & Performance
Web: www.regents.ac.uk/LSFMP
Regent's College, Inner Circle, Regent's Park, London NW1 4NS
Tel: 020 7487 7505 Email: LSFMP@regents.ac.uk
Develop the writing skills essential to gain paid commissions for television, film and theatre.
MA Writing for Screen & Stage
Led by award winning scriptwriter David Hanson (BAFTA, Ace and Golden Rose of
Montreux awards), this degree is taught via 5 one week on campus residential periods,
combined with periods of distance learning ­ at home, or anywhere in the world.
Scholarships are available for talented students.
· 2 year, part-time degree
· Commences June 2010
· Residential periods in central London
· One-to-one script tutoring throughout the course
· Places still available - contact us today for an interview
We also offer:
Acting Foundation and BA (Hons) in Creative Industries, Screenwriting & Producing and Acting & Global Theatre