in the series, we take a look back at LOST's greatest moments. levels, with its action-packed end to the war between the castaways and the Others, and the death of a fan-favorite character (sorry, Charlie). But when Jack cries to Kate, "We have to go back," we are left with the real- ization that the flashback we thought we were experiencing is actually a look into the future when some of the castaways have left the island, and that the writers had a much grander plan for this show than any of us could have expected. stant" was not the biggest mythological download the show would offer, but it was the most heart-wrenching, as it showed us that Desmond's love for his soulmate Penny does not adhere to the limits of time and space. backs dedicated to John Locke is still the best. The final act reveal that this knife-wielding is- land hunter was in a wheelchair before the crash was the writer's signal to us that this place, and show, was special. (Season 3) & Drew Goddard story of Benjamin Linus, with brilliant and horrific results. Even being fully introduced to the Dharma Initiative for the first time couldn't compare with finally seeing how LOST's favorite villain was created. enough mysteries to hook us instantly. What is the monster lurking in the jungle? Why is there a French distress signal on the island? It was Charlie, however, who voiced the most important question of all: "Guys, where are we?" season came to a close with the explosion of a hydrogen bomb, the death of everyone's favorite Other (Juliet) and, once again, John Locke in a casket. However, it's the opening scene -- a philosophical showdown between Jacob and the Man in Black -- that would have fans analyzing each line searching for answers to the show's biggest questions. & Kyle Pennington con man Sawyer would ever play it straight. But in a different time (1974) and with a dif- ferent name (Jim LaFleur), the writers gave us a glimpse of a leader whose mind wasn't clouded with science and faith, but with the resolve to protect the people and woman he had grown to love. Desmond, prepared us for the death of Char- lie, one of the show's most beloved charac- ters. Their gift to us was this episode, a coda as poignant and moving as Charlie's list. & Greggory Nations been waiting for. We were led to believe that Richard was privy to most of the mysteries of the island, and that a Richard-centric episode would fill in some of the mythological puzzle. Instead, the writers presented us with a por- trait of a man, not a supernatural being, whose flaws led him to choose between his death or being the voice of the island. (Season 2) duality, and no two forces clash greater than Jack and Locke. This episode presented the paradox of Jack, a man who healed a woman that science said could not be healed, yet who doesn't seem to have faith in anything. Though the episode ends with Desmond pointing a gun at Locke's head, it was the war- ring ideologies of the show's most dominant characters that took center stage. |