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creativescreenwriting January/February 2011
HAPPY NEW YEAR!
You know what this
means, right? It's time to reflect on the past 12
months and set new resolutions or get moti-
vated to actually follow through on past ones.
How did you do with the ones I offered you
last year? I gave you practical tips to break old
writing habits and replace them with produc-
tive ones -- how to find more time to write,
how to limit procrastination and how to re-
energize so your script gets finished.
But maybe it's not a motivation problem.
Maybe it's your ideas that are not inspiring
you. You come up with an idea or two, get
excited, start developing them into an out-
line, but as soon as you start writing, you re-
alize they weren't that original.
It all starts with a great idea. What comes
after that -- character development, plot,
outline writing the first draft -- are just the
details.
Wouldn't it be great if you could just
press a key on your keyboard and a great
idea would pop up on the screen? Or your
creativity would suddenly turn on?
Unfortunately, the more you try to be
creative, the more it can elude you. It can't
be forced. But there are ways to become
more creative. In fact, we're all creative. It's
just a matter of accessing your subconscious
mind, which is easier when you're relaxed
and not thinking about it.
So for this new year, I'd like to offer you
some tips on how to be more creative and,
hopefully, come up with that original idea
that will excite you enough to develop and
write a script or two this year.
You're probably familiar with such tech-
niques as brainstorming, mind-mapping, free-
writing using a timer or asking "what if?"
questions. Here are 11 more tips for 2011:
1. Develop a morning ritual to get you
into the creative zone.
Following the
theory that performing mindless actions
frees your mind to be more creative, if you
follow the same routine every morning, it
will become such a habit that you'll go on
creative auto-pilot much in the same way
that you can come up with ideas when
you're in the shower, shaving, driving, gar-
dening or cooking. The mind takes a break
and is free to roam around your subcon-
scious. As Leo Tolstoy said, "Regularity is the
prime condition for work."
2. Do something new.
This may seem like
the opposite advice, but this is about chal-
lenging your brain and developing new con-
nections: Do something you've never done
before -- take up a new hobby. Go camping.
Expose yourself to art beyond movies and
television. Listen to new music genres. Read
random magazines you never knew existed.
Instead of driving to work, take the bus or
even bicycle, if possible. Go out to lunch
with different people. Go on vacation to
someplace new. Learn to play a musical in-
strument. Change your writing environ-
ment. It's all about shaking things up. As
Alan Alda said, "The creative is the place
where no one else has ever been. You have
to leave the city of your comfort and go into
the wilderness of your intuition. What you'll
discover will be wonderful. What you'll dis-
cover is yourself."
3. Combine ideas.
Based on the theory
that creativity is simply the juxtaposition of
two concepts thought to be unrelated, try
combining old ideas. They don't have to be
film ideas, as in X meets Y, or combining
film genres or icons, though this technique
seems to be in vogue these days -- see Cow-
boys & Aliens
, Abraham Lincoln: Vampire
Hunter
, Pride and Prejudice and Zombies, etc. It
can be combining character types with time
periods, locations with plot types or situa-
tions with themes. The more disparate the
two items seem to be, the better.
4. Define a clear purpose.
Before you can
create something worthwhile, you need to
know what it is. Do you want to come up with
an original idea for a film, a TV show, a play,
a novel, a short film? If it's a feature film, what
genre, sub-genre or type? When Christopher
Nolan was developing Inception, he knew it
would have a lot of exposition. So he had to
think up the perfect story type for it. When
he thought of the "heist" film type, it set
everything in motion. Once you choose a
genre and sub-genre or type, make a list of the
10 best films in that genre and think of how
you can come up with something unique
11 Tips for a More Creative 2011
BY
KARL IGLESIAS
KARL IGLESIAS
(karl@creativescreenwriting.com) is a screenwriter and a
lecturer in the UCLA Extension Writer's Program. He is the best-selling author
of "The 101 Habits of Highly Successful Screenwriters." His latest book is "Writing
for Emotional Impact." Find out more at his website: www.karliglesias.com.
O
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