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January/February 2011 creativescreenwriting
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49
Faculty
Jami Brandli
Disney/ABC Writing
Fellowship finalist and
HotCity Theatre Jury Winner
Barry Brodsky
Two-time finalist in
Chesterfield Film
Writer's Project
Kate Snodgrass
Heideman Award-winner
and Artistic Director, Boston
Playwrights' Theatre
Sinan Ünel
New Century Writer
Screenplay Award-winner
Recent Visitor
Theresa Rebeck
Peabody Award-winner
and nominee for the
Pulitzer Prize
GR10_MCW_PA009
www.lesley.edu/info/cs
Low-Residency MFA in Creative Writing
Lesley University
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Cambridge, MA
Concentration in Writing for Stage and Screen
Curriculum includes:
The Art of Dialogue
Heightened Reality: The World of the Absurd
The Three-Act Structure
Writing the Short Play
Aristotle in the New World
The 36 Dramatic Situations
Fiction
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Nonfiction
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Poetry
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Writing for Stage and Screen
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Writing for Young People
help each other recover the money from a
drug deal gone bad, saving each other's lives
in the process.
In years past, Krueger would place in vari-
ous contests such as Scriptapalooza (quarter -
finals), but the year he won the Nicholl,
something strange happened. "I submitted to
nine or 10 different contests and it didn't even
make the first cut in any of them." Sometimes
truth really is stranger than fiction.
ANDREW LANHAM
"My whole life has been moving me to-
ward writing," says University of Texas grad
student Andrew Lan-
ham. "I don't really
think there is any
other option for me."
The only Fellow to
hail from outside Cal-
ifornia this year, Lan-
ham originally
wanted to be an actor,
primarily because his
Tourette's Syndrome
symptoms would vanish the moment he
stepped on stage.
Lanham's parents worked for the interna-
tional entertainment group Up with People, so
he began writing monologues for the group
and found that writing gave him direction.
"It's really given balance and structure to my
life and helped me understand what I want
and what my goals are." So when Lanham set-
tled on screenwriting, he did it without any
formal training. In fact, he had never even
read a produced screenplay. His first script
came in at 250 pages. He knew it wasn't a
movie, so he rewrote the script about 20 times,
each time starting from page one. "I tend to
go about things in the most difficult way pos-
sible," he admits.
Luckily, Lanham met horror scribe Ray
Wright (Pulse) through a friend, and Wright
agreed to read Lanham's second effort, The
Jumper of Maine
, about a paramedic with
Tourette's Syndrome who is forced to come to
terms with his life and his condition when he
falls in love with a single mother who has ties
to his past. Lanham's inspiration? "I don't
think there's a really good movie about
Tourette's, so I wanted to write about it."
Though Lanham faithfully executed
Wright's notes, it wasn't until his script was up
for a public reading in his first year of grad
school that he kicked in the after burners, writ-
ing a new draft in eight days. "I remember I
finished the draft and printed it the day of the
reading, so nobody had seen the draft yet."
A professor who attended the reading liked
what he heard and urged Lanham to enter the
script in competitions. "He told me, `You're a
writer and you need your stack of rejection let-
ters. What's the worst thing that could hap-
pen? You win?'" Lanham sent Jumper in that
same day to the Austin Film Festival and the
Nicholl. It won both!
MICAH RANUM
Originally from a small town of Viking, Min-
nesota (population: 92, as of the 2000 census),
THE RULES
(according to http://www.oscar.org)
Original, feature-length screenplays
only (only adaptations of your own
work are allowed).
Up to three different scripts can be
submitted.
Scripts must be submitted electronically
in PDF format with NO name on the
document.
$45 entry fee for each script.
All scripts must be received by
11:59pm on May 1.