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Story Notes
Plus Proofreading:
The Proofreading
Plus* Service -- Only $1.79 Per
Page
Eliminate
Mistakes
And Improve Your Screenplay
Before
You Submit
"So
why do I need these script notes and professional proofreading?"
To give
yourself the competitive edge over those who don't.
Producers,
agents, and screenplay contest
executives all say that proofreading mistakes (grammatical errors,
typos,
spelling mistakes, and basic formatting errors) are the
worst mistakes you can make in a screenplay -- and the most common:
Worst Mistakes:
“1. Spelling and/or grammatical
errors. If you can't be bothered to proofread your
script properly, why should I (or anyone else) be bothered to read
it? Also, if you can't spell or understand grammar, then
perhaps writing isn't for you.” – Hollywood Production Executive
“Not proofreading ... a manuscript full of typos will end up
in the trash. It's difficult to recognize a good story hidden
underneath a bunch of typos and misspelled words.” – Producer
“It's CRITICAL that all work be proofread several times as
mistakes are often missed.” – Screenplay Contest Judge
“Too many of the scripts I read are poorly formatted and seem
to have been submitted to me with minimal proofreading. Without making
these simple fixes, I have a hard time really looking at the actual
content.”
– Producer
Need more
convincing? Click here
to read more industry
comments on typos, spelling and grammar mistakes, and basic formatting
errors.
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The
comments above are typical. They illustrate this ironclad,
non-negotiable Rule #1
about submitting screenplays to production companies or contests:
To
them, you're an amateur and your screenplay is unworthy of their
time if it is full of spelling, grammar, and basic formatting errors. Yes, that is harsh.
I am sorry to have to
say it. But it’s the way the industry is.
I’m
not
trying to offend you. Just the opposite: With 100,000+ spec
screenplays hitting Hollywood and the British film and TV industry
every year, I’m here to help you beat the odds.
Let Me
Help You Submit The Perfect Screenplay I
can fix your grammar,
spelling, clarity, and basic formatting mistakes for you.
I will
proofread your screenplay for grammar, spelling, and clarity for some
of the lowest rates in the industry through March 31...
● Feature screenplay: $1.79/page with notes ● Teleplay: same $1.79/page with
notes ● Rewrite your
synopsis: $50 per 300-word page. ● Rewrite your
query letter/email: $30 ● Write a query letter and
query email from scratch: $49 with screenplay proofread, otherwise $65.
● Evaluate your logline: FREE with screenplay proofread,
otherwise $25. ● Write three suggested loglines for
you from scratch: $29 with screenplay proofread, otherwise
$49.
Rush
Work:
● 50% surcharge for a 48-hour turnaround.
● Next-day delivery (“Drop everything and read my
screenplay ahead of your rush work!”) – 100%
surcharge.
But
do plan ahead and save money: order at least several days in
advance.
What
You
Will Receive For $1.79 Per Page:A
thorough and professional proofreading job. I will find and
correct (or give you notes to correct, such as “saying vs.
showing” errors): --
Typographical errors --
Spelling errors -- Grammatical
errors -- Punctuation errors
-- Capitalization errors --
Verb tense errors -- Sentence
structure and clarity problems
-- Basic formatting mistakes --
Cramming in too many words** --
“Saying” when you need to show, and...
The
"Plus" Part: Several Pages Of NotesFor
only $1.79 per page, you will also receive several pages
of story notes
and notes on proofreading issues. These notes will include:
- A
brief overall view of the quality of your story.
- A
gentle list of any story problems and issues I see.
- How
well your script performs on eight vital story and script elements.
- How
well your story matches the classic
screenplay structure of a famous screenwriting
guru.
- How well your
screenplay “romances the
reader,” using a 14-point checklist, distilled from
more than 5,000 feedback comments by screenwriting contest
judges I hired back when I ran screenplay contests.
- A
few pages of Proofreading Notes as needed...
In
the Proofreading Notes, I comment on proofreading issues which
arise more than once in your screenplay. These notes may
include,
but are not limited to, issues of grammar, spelling, sentence structure
or lack thereof, formatting, and basic screenwriting how-to.
For
example, if your scene descriptions include significant instances of
failing to tell the story visually (often called violations of the
“show, don’t say” or “show,
don’t
tell” rule), these will be mentioned and discussed.
This
service -- both proofreading and notes -- will cost you
only $1.79
per correctly formatted page.
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A Few
Of My Many Client Testimonials
"When
I wrote this script, I never intended to do anything with it. I just
thought it was a funny original idea. But my friend Howard, who is a
retired producer for Paramount, convinced me to post it on on InkTip.
Within the week of posting, I was contacted by a producer from
Rumayan Pictures based in N. Carolina who wanted to read it. Before
sending it to them, I figured I would have a professional script doctor
(you) go though it and pick up the flaws and fix other problems.
"So
I fixed up most of the problems you pointed out as well as some
re-writes, and sent the script to the producer.
"They
bought it!! My attorney brokered a low six-figure deal that
gives
them full rights to the script and all sequels and re-writes.
"So
feel free to use me as testimonial for your service.
"Thanks."
Jeff Madsen | | “As
a seasoned writer, I never thought I’d need a professional
edit,
but Donovan uncovered more than a hundred errors in
presentation
and substance, and now, I wouldn’t submit a draft to an
editor,
agent or producer without his finishing touches."
Peter Steinberg, author of 7
books, and screenwriter | “Searching
for a proofreader on the net is relatively easy. However,
putting
your faith in one is altogether a different kind of headache.
I‘m a screenwriter, and it never ceases to amaze me, the
number
of errors I find in my scripts after they have undergone professional
proofreading. It doesn’t matter, the errors seem to
mystically grow back overnight. I thought the answer was to
just
pay a few proofreaders to do the job and pray it gets done
thoroughly. And then, I received, probably, one of the most
valuable emails I have ever gotten. It was from Bill Donovan,
a
professional proofreader, whose advertisement just said everything I
ever wanted to hear about cleaning up a screenplay.
“So
I sent him one, then two, then three and received, not only, the most
meticulous proofreads imaginable, eradicating all misspellings,
punctuation mistakes and grammatical blunders, but his generous notes
regarding problems with plot, structure and research, turned out to be
more valuable than a three-day seminar I took by one of the most
revered screenwriting teachers in the world. Since then, with
Bill’s service, my scripts are excelling in the same contests
that I couldn’t make the first rounds in before.
“It’s
hard to take constructive feedback when you think you know what
you’re doing. But until you’re writing
for a living,
the fastest way to kill your chances with decision makers taking your
work seriously is your own stubbornness to improve your writing
ability by listening to another unbiased, perceptive voice, other than
your own. For me, that’s Bill!”
Howard
Fridkin |
| My
Credentials And Experience...
●
Screenplay contest judge (three contests) ● Screenplay
contest executive (11 screenplay contests, 5
scene-writing contests, two logline contests) ●
Two of my own screenplays won three first prizes equaling $30,104 in
prize money in
today’s dollars. ●
Former Editor of Creative
Screenwriting Magazine ●
Author of three e-books for screenwriters to date; a
fourth is upcoming ● USC
Master of Fine Arts, Screenwriting and Filmmaking ●
Copy desk
chief at a daily newspaper, the Morristown, N.J., Daily Record ●
Copy editor at the Associated Press ● Copy
editor at another daily newspaper, The Record,
Hackensack, N.J. ● Copy editor
for several business-to-business trade publications ● 11,200+
published pages and screenplays edited/proofread over the years ●
News stories I wrote and/or edited won five national
journalism awards.
How
To
Use My Services ...
Contact
me by email, bill@screenwritingcommunity.net or
call me at 805-212-0652, or use this
contact form. Tell me what the job
is. We’ll go from there.
Formats
I
Can Work With:
●
Final Draft 5, 6, 7, or 8 (FD 9 and 10 convert quickly to 8)
● Movie Magic Screenwriter 6 or older
● Celtx (you would create a collaborator account for me)
● Other online screenwriting software programs which allow
for a collaborator.
Not
accepted: Microsoft Word, Other Word Processors, or PDF.
I cannot edit your screenplay in
PDF format. All I can do with a PDF is read it.
Regarding
scripts written in a word processor, virtually no one in the industry
will work with an amateur who writes scripts in a word processor these
days. Also, proofreading can cause a line to wrap to the next
line, which can set the formatting off. So it seems pointless
to
go through the extra labor to
proofread one. If you're serious about screenwriting,
please invest in screenwriting software or use one of the free
or
inexpensive online
systems.
I’m
ready to help you make your screenplay a contest winner and ready to be
optioned or purchased! Contact me today or at any time.
Best
wishes,
Bill
Donovan Contact me at bill@screenwritingcommunity.net
or by phone at (805) 212-0652 or using this form
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About
ScreenwritingCommunity.net...
This
web site and its content were created by Bill Donovan, the
former
editor and publisher of Creative Screenwriting Magazine. |
ScreenwritingCommunity.net
Resources
to help aspiring screenwriters succeed |
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